Welcome!

It is time for women in hip hop to shine! Chuck D said that "women are the next revolution for rap music and hip hop." So Lets follow suit. Follow 5th Elament: Artist, educator and co founder of the women's artist collective Isis Storm. When you do so you become a part of the she movement! In this blog get leads to women in hip hop and things affecting women in hip hop! Welcome to 5th Elament Radio: :WHERE WOMEN IN HIP HIP HOP AND THE WORLD ALWAYS GET THE MIC!

Sunday, June 24, 2012

To Be or Not to Be....a FEMcee?



It has come up. I have heard the protests and seen the embracing. I have heard the cries of "HELL no not me" and the "Hell yes- THAT IS ME." It is the argument of who and who NOT to call a FEMCEE. Everyone who knows me knows that I proudly claim the title. There are other women lyricists I know who are adamant that you never call them that. And it got me thinking...what exactly is the hesitance about being a FEMcee?

The argument is reflective of the age old one of claiming to be a feminist. The title is loaded. Some feel limiting. Others say it is defining. But I think that to carry out the dialogue you first have to understand why there is an apprehension or disdain for the title FEMCEE.

For the most part there is a feeling that it is boxing you. Almost like when you say: "She is pretty good for a girl." It is this need for women to not be categorized and felt like they are in a separate category when they feel they throw down just as hard, if not harder than the fellas. I get that. I respect that. But allow me to pose another view.

I rhyme about things that men do not always touch upon, from a point of view that they never could. I take issues regarding my vajayjay and put it on paper in a way unique to me as a WOMAN. I take issues NOT regarding my vajayjay and put it in 16's in a way that is unique to me from the standpoint of a WOMAN. I am proud of that. I am proud of my emotions, feelings, empathy, viewpoints, and things that come equiped with these breasts. I want you to know that I am different so you can embrace it, or at least RESPECT IT.  In fact, I am more concered when I am NOT seen as a woman rapper/lyricist. I am concerened when my unique vantage points are not honored or explored. To me- denying that part IS still being controlled. It IS still a way of being exploited.

I never want to have to just be hypermasculine or de-feminized so that I can "count" or "fit in." Its not my style. Femcees hold the same skills but also different skills in the arena, and I have seen it all the time. We are many selves within one. Many alters within the ego. We have struggles and battles that are our own and should be recognized and celebrated. You see to me, being a FEMcee is the highest honor.

Now lets look at history and the case of the dreaded "F" word. Yes: FEMINISM. Many women, especially those of color, have tended to shy away from this word in the past as it was tied to a middle class white second wave movement that did more to separate and cause disdain toward men rather than celebrate our differences, and see our battle as one that concerns the entire human race. A partnership. We have been inculcated to see this as the ONLY feminism that exists and in turn have cut ourselves off from what I feel feminism truly is. And what is that? A celebration of the the unique energies inherent to both the male and female components and the need for each energy to be given equal and fair play. Feminism in its fullest sense is letting me be a woman and letting you be a man and us interchanging our energies as needed for the upliftment and equality for all.

Not what you used to- I know.

But perhaps if we understand it from this perspective we can begin to appreciate those things that makes us different. Now, let's clarify some imporant points about what these labels or titles mean in a new light. A Femcee/Feminist:

  1. Is NOT  a man hater. In fact we LOVE Them and do our best to be the best to make them even better.
  2. Does NOT ignore her sexuality or the needs she has to forfeit her sexuality or just plain old needin to "get some" for the sake of the "revolution."
  3. Will not give up on having a meaningful relationship to be career or status hungry.
  4. Should not forget that it is just as important (and revolutionary) to be a mother, wife, sister, niece, friend and all those things that make life meaningful and important.
  5. Won't ever trap herself with just fighting for, our rhyming about, issues only regarding women- but instead add our feminine fueled third eye to look at the issues involving THE WORLD.
And that is just to disrupt a few views of what this entails. So to be a Femcee and to be a Feminist is to embrace all that is you and bring it to the universe in whatever 16 bars you see fit. It is a title of respect. A title of grace. A quality that is something so superfresh that it takes lightyears sometimes before it is recognized.

So the next time we think about the word and our relationship to it, let us consider why we feel that way and what exactly is informing our beliefs and where we stand on it. In the mean time- ima keep rockin and lettin heads know this: 5th Elament is a FEMCEE TO THE FULLEST.

Monday, January 30, 2012

The Last Unicorn?

So I'm at the Rhyme Culture Show and 2 dudes and a chick hit the stage. One thing about my Rhyme Culture Fam is that they always make an attempt to find a fresh woman or several to rock the mic. So as she gets on, all I keep saying to myself while gazing at her is "Come on...spit. SPIT." Personally, I hate that "put u in background and you can come and sing my hook" bullshit (even tho I've done it-lol). But tonight  I was rewarded with a bangin ass 16 bars from this Jersey girl, Tre-L,and a new comrade in arms. Later when she got off we would introduce ourselves and gave pounds promising to have each others back as we moved forward in the game.

One of the things that came up during our convo was how the crowd and emcees sometimes react when a woman hits the stage and spits. I mean after the dudes stop checkin out your ass and chest, they stare at you like a deer in headlights. I told her "Yeah, its like we the last unicorn 'n shit." We laughed because we both had been there and knew EXACTLY what I was talking about.

I mean, its crazy. We all over the place yet no one knows our names.  I got people in RI asking me " Are you the only female emcee?" Even after they have been at shows and seen us represent. The answer: NO. So in order to bring in my new resolution for 2012 (be a part of the solution, not just a hater)- I will present to you the weekly  (F)emcee 10 list, in no particular order. I will be giving you some of the hottest women in hip hop that I know, have worked with, or just come across. I have the F in parenthesis, becuase some women HATE being called a femcee- but that is next week’s article ;) For now tho, to keep it real, Ima start with those near my hometown and sistas In my circle ;) Click on their names for links and feel free to add more women below and/or go to 5th Elament Radio to add your own ladies that rock the mic! LEeeeeees GO!

1. B-mor 7: Yo this chick is str8 fiyah. Not only is she my Isis Storm sister, but she is one of the emcees that constantly makes me want to go back to the books- both as far as emceeing, and academiks. With this lady you are getting a constant lesson of life and self, mixed in with Raw and gritty lines. LOVE HER. GET IT IN B!

2. Ghislaine "Tiger Lilly" Jean-Mahone: Also an Isis Storm sista & Half of the husband/wife team "Riders Against The Storm (R.A.S."-this sista be gettin it in on and off the mic. With a beautiful voice, her lyrics and melodies have the potential to make you rethink your current mindstate, relieve you of your mind-racing, or help you to validate your existence. SO FRESH.

3. Emerald Stone: Yes...an Isis Storm sister as well....All I can say is thank goodness she released her mix tape. Emerald Stone took every industry track I couldn't stand to listen to and recreated them with creativity and meaning. A emcee, director, writer, and mother-this women has a fierce mission to wake us up. She has also produced her own music videos and is in the process of writing a book.  U GOT THIS FO SHO EM!

4. Russian Roulet: The first time I saw her on stage solo I loved her sincerity. She talked about real issues but wasn’t afraid to get raw. She has passion and dedication, and yes- Lyrically she can be as dangerous as a gun with one bullet in the chamber. Take your chance ;)

5. Shevon "Muffin" Young: Not only an emcee but one of the major promoters of hip hop in Rhode Island, Muffin holds it down on both sides of the track. Balancing the personal story with a societal message, she covers her bases. But don't sleep- if she gotta get grimy, you should probly count on bowin down when she done. She is also holdin’ it down as a mom. Go 'head Muff!

6. Anjelly Nice: Also a mother and the director of the AS220 Hip Hop program, This lady is all about keeping the artform on point while also rippin up the mic.  Holding integrity in the game and making others wake up to their own self respect through teaching and doing workshops, she is amazing. Anjelly's rapid and breathtaking flow makes you think twice if you were about to say "Girls can't rap." Uh- Yeah. She make you swallow that shit. U my Girl Anjelly!
Tre- L: Doin her thing big in the Jersey- this is one lady who you do not want to miss. I love watching her because she just reps who she is and lets you know that above all else she is an EMCEE first. Also, if you run into Tre-L, and you real, she will have your back. You can feel that in her delivery. I am looking to be building with her in the near future-so Check her out!

Queen Yonasda: Native and Black and fierce, this emcee takes her journey through life and puts you in her mocassins. I promise that by the end of her lyrics you will feel those mocassins are yours. Not just an artist but an activist, Yonasda takes her music to a whole other level. Needless to say- I’m feelin you sis!! Keep it MOVIN!

Tiye Phoenix: Half Woman Half Amazing has to be one of the most slept on hip hop classics of our time. This album is one of those rare albums that you can play from beginning to end. Her lyricism is some of the tightest to come forth from a man or woman. An emcee, producer, activist, and educator, Tiye Phoenix shows us what women in hip hop can do. I love ya Tiye!!

  AtLas’: An organizer and maintainer of the site Hip Hop Sisters, this woman is the illest. I got the gift of meeting her in person when we both did the Rapathon- 28 hours of straight free-styling. She coached me briefly and gave me gems in a matter of moments that I will not forget. Not only can this woman hold down the freestyle realm but she truly understands the power of hip hop and of women in hip hop-while fully embracing our brothers. 3 words to describe this sista: Skills, integrity, and love- this new mom is an emcee you must check out.

AND YOUR BONUS!
THE EMPRESS
Ok. So I just couldn't Resist one more. This woman is not only an amazing emcee but a friend and amazing woman. Genre Crossing and blending and rocking with Tem Blessed and Blessed energy she can hold her own with a band and by herself on stage with just her and a mic. She is also an activist and amazing human being. When you get a chance- CHECK HER OUT.

Well there we have it. So the next time someone says some dumb shit like "Where are the women in hip hop" just send em this page and let them know. WE ARE EVERYWHERE. Yes in our own way we are all beautiful and unique Unicorns...but we are certainly not the last of a dying breed. WE ARE THE BALANCE FOR HIP HOP.

Monday, December 5, 2011

The Minaj Mirage: The Case of the Forgotten Femcee





“They always allow ONE,” is the response I did not have time to give to this brother who  dared say that you cannot deny the doors that Nicki Minaj has opened. Huh? What I did manage to say was “I do not know what doors you are referring to, but trust that they haven’t done shit for me.” I was on a panel for hip hop appreciation week representing the voice of women. And like Nicki- I was the only one. No pressure. But honestly, I was grateful to my homie for putting me up there to provide my perspective. Some brothas in the game know what they need to do.


Listen to me: it’s historical. ONE femcee has always been“allowed” out. She is the Queen B of her crew. The token female. And while this has definitely brought us some of the most amazing women (and allowed many of them an opportunity they would not have had), I am really all set with the “One at a Time” model these days. Honestly.


This is not an attack on Nicki. This is not a conversation about how she is “ruining our image.” I think she is a tight emcee when she is not being controlled, whose spirit may have gotten led away for a little while by the desire for fame. Or maybe it was just her willingness (or forced hand) to do anything for what she loved. Whatever it is, tryin’ to diss Nicki is not the issue.


What IS the issue is the patriarchal structure that hip hop has built itself on that perpetuates this cycle. A structure that is so deeply engrained, that men cannot even see when they are emulating the very system that they complain about--especially men of color. Men who claim that they are “going to bring hip hop back to its roots,” but obviously has its roots confused with the arrival of Columbus. It’s still immersed in the idea of conquering, because women still have to do far too much to get heard and recognized in the game. Especially when we once existed in societies built by the wisdom of our clan mothers.


I know. I know. “Oh god. Here she goes again.” If that is your attitude while you are reading this- know YOU are exactly who I am talking about in this article. And trust me, you are not the first and won’t be the last. So let me save you some time and air.
Let me address some of the complaints I have received and my response.


#1: I am asking for an “invitation” when hip hop is about the hustle, not being invited.
No. Let me make this VERY CLEAR: This is not about an invitation. It is about respect. I have watched countless shows and moments where women emcees who have been in the game for just as long as their colleagues (if not longer), and rocked TWICE as hard, were not acknowledged or brought on a bill when they were more qualified than the men who did perform. And do not say it wasn’t because she had a  vagina. Afterall, “who wants to hear a girl rhyme?” is still a myth running around out there. The honest answer is PLENTY. Ask Tiye phoenix, Jean Grae, and Bahamadia. Stop basing your actions on this capitalist structure of supply and demand. Rock the Bells is one of the biggest culprits of this. It then trickles down to the local male emcees who think that fighting for gender equality is a burden. Which brings me to my second “complaint.”


#2: I am too intense. Too feminist.
Or maybe you are just too uncomfortable with my truth. Here is the reality: Black men have historically been made to believe that racism is more important than sexism. This was actually one of the “divide and conquer” tactics used by slave owners when they began to fear black women and men uniting for the takeover. No one is immune.  I remember sitting with a “prominent” black male who ran a venue that centered around African Americans. A man considered very “for the people.” But when I asked him his thoughts on being responsible to stand up for women of color and fight for sexism his response was degrading and horrifying. He stated that I was engaging in ”tricknology” or something ridiculous. It was followed by the typical male  shut down of “here we go.” He had the audacity to end with “Its bad enough I gotta fight racism, now you want me to fight for yall too.”


YES, “brotha,” Yes. Because until you respect your women- your life and all of hip hop will stay off balance. You might have everyone else fooled- NOT ME. Nicki needs a remix- cause WE see right through YOU.


#3: “Well its not our fault more women do not support women hip hop artists. How can you want us to do what even the women won’t.”
 Oh short sighted blind brother- here is my response: What you are seeing are women who have been (in the words of my man Malcolm) “Hoodwinked” and “Bamboozled.” They have been drinking the patriarchal koolaid for so long, they forgot their own power, stories, and names- that is why they allow you to call them out of theirs so damn often.  Understand that hip hop and its communities have marinated in a poison so severe that now ALL of the people are suffering. What can you do instead of blame US for being trapped in the same system that is obviously still holding YOUR mind captive? You can start to wake up your sisters (and yourself) by praising them and  bring new voices to the table, helping us all awake from our comas of self-denial.


My point is this: Please do not speak to me about my struggles in hip hop and blast me for my truth. Until you walk on that stage with breasts & a vagina (or fight to get on it), you have no say here. Do not tell me that I “sho is lucky I gots me one female rapper who holdin it down” massa. Instead see the larger structure that hip hop has succumbed to, and not just when it is convenient for you to “save hip hop.” That shit is old. If you really want to “save hip hop,” you can start by really taking an honest look at yourself, then look at everyone affected in the game, and use hip hop in its original manner: to heal the ills of the ENTIRE community. Say WORD.

Saturday, June 4, 2011

Hip Hop More Alive Than Ever: RAPATHON 5

Photo Courtesy of Kurt Nice
I love my culture. I love hip hop. I love being a woman. These are a few of my favorite things and I got to engage in all of them last month. The third week of May is  hip hop appreciation week and I wanted to celebrate. Thanks to Kurt Nice out of Jersey and D.R. the Chef  and Nikki out of Harlem- I got the opp, times 1 million.

I am a woman who will do whatever she needs to perfect her craft. I got the opportunity when I saw a post to participate in Hip Hop appreciation week in Jersey. There I not only performed but sat on a panel that discussed different topics of hip hop. Including: Hip Hop and the “illuminati” (to which Hakeem stated: Leave it alone- these are all just excuses for you not doing what you need to be doing), Feminism in hip hop, and hip hop and its decline. While we could not go into these conversations in depth, it was great to be able to touch on each one as I sat on the panel with great minds such as the manager of KRS-One, and The old A&R for Artists such as RZA from Wutang. With an opening of tributes to the ancestors and the forefathers and mothers of hip hop, and the close by the electrifying and soul stirring performer NY Oil and his youth group PEMG- it was an amazing event indeed.

This event was also a great place to network with other artists and organizers and I scored a table with D.R. the Chef and Nikki of the Harlem Hip Hop culture center. Because I’ve been in rhythm it was the fresh synchronicity as they were there promoting Rapathon 5: a 28 hour cypher to break the guinness book of world record. A I sat there with them I felt a bond forming. They were so real. So True. So open. And so was I. The clincher came when D.R. stated “You will meet the best femcees in the game at this event.” I WAS IN.

3 trips in one week to NY later (one for the audition which I beasted, one for the rehearsal, and then the final event) and I was there. Rocking among some of NY’s Tightest Emcees. And sprinkled in were those of us from the outskirts, who loved the culture with all we have and who came to tighten our game at the birthplace of hip hop. NY. I was in love from the moment I stepped into the Harlem Hip Hop Culture center.

The lyrics spilled onto the Streets of Harlem, Frederick Douglass Blvd  gained a new sense of abolition as the art of the freestyle removed the leftover mental shackles and began to welcome true lovers of hip hop culture. The energy uplifted, expanded, and united. The rules were simple: Come with your best game, pay attention to the coach, and no cussing. The last was a testament to the true lyrical abilities that the Hip Hop Culture demands. Their motto- If you cannot spit without swearing- you can’t spit.

I was excited and nervous. I was put with some of the illest lyricists in the game. In addition, because of my skills, I was made an alternate for teams if members couldnt hang or there weren;t enough. But the best and most humbling gift/moment had to be when I was places on 2 all femcee crews: Women who have rocked mics for years, who have honored hip hop culture with their lives, and who had spirits that could move you in one sitting. It was there I got my training.


It was perhaps AtLas’ that made the greatest impression on me. As the mentee of MC Lyte and a veteran in the game, I had a chance to warm up with her during the rehearsal before the event. It was in that circle that she got me “open,” making me learn to marry my words with the moment. Teaching me to be a conduit. Helping me understand that in order to get to where I needed to be I had to reinforce my lifelong lesson of learning to let go. Let go of the fear, let go of the apprehension, let go of the self doubt.  “You can enter a lot of circles to get better in your game, but it is with the women that you will truly manifest your gift and get nurtured.” She was right. Only 20 minutes with her and I felt free-er then I ever had in a cypher. I was ready.

Women took the stage several times during those 28 hours. Each moment an exemplification of how Hip Hop Culture Center holds the women precious. There was no begging for the mic in Harlem. It was given readily, sometimes urgently- they understood our power. They understood our importance. We rocked the stage treating the crowd like a ship on rough winds over the sea, except with the reassurance they would make it to the shore. Dipping and diving, weaving in and out of ideas, concepts, and lessons with our lyrics. Our words electrifying and exhilarating. We were UNSTOPPABLE. D.R. Kept his word. I was elated.

After this, there is no doubt in my mind that it is the women who will lead you. It is the women who will ground you, inspire you, and sustain you. From the times we rocked the stage to my girl Nikki on stage and off holding it down behind the scenes with encouragement and stage/event management- There was no question of our power.

This experience is meant to shut up all those who think that a group of women cannot join together without a “cat fight.” This experience was meant to shut up all those who forget to put us on the bill because “There just aren’t enough of you” or “femcees just aint that dope.” It was meant to show the magnificent energy that we can generate. It solidified my mission, clarified my purpose, and helped to feed my own endeavors as I took the energy back to my partner in Isis Storm. Because we always knew... It was just nice to have our sisters from another space and place confirm our vibes.

Final Thoughts: Oh sure- some will try and water this down to just a “bunch of rappers trying to break a record,” but it was so much more than that. It was the coming together of genders, generations, and cultures to show one thing: Hip Hop is NOT DEAD and never will be. And as our voices overflowed onto Frederick Douglass blvd I couldn’t help but picture our ancestors chanting “Keep on you don’t stop....Keep on-Rock on!”


RESOURCES
www.h2c2harlem.com
www.hiphopsisters.com
http://shadesradio.com
www.PEMGOnline.com 

Friday, April 29, 2011

Completion


Completion is a funny thing. How it makes you feel accomplished, capable, but also the effect it has especially after a long process. I think when it comes to making or creating, completion has a very special meaning: It means that you got it...or at least I think it should. What does "Got it" mean? It means that the lesson was absorbed. A type of metamorphoses attained.

I suppose what has me thinking of this is the completion of my second album. It is a spoken word album that originally was supposed to come out with my hip hop album...but apparently somethings take a little more time. This process (tho not long to some) has felt like forever. Originally I was going to let go of the spoken word album until later. Then people stated that they really wanted some of my spoken word and did I have an album...I had resigned myself primarily to (f)emceeing, so I told them not as of now but one may be on the way.

Well its here. And its amazingly perfectly imperfect. Its Rough. Raw. Untamed. Like me.  It gained a life of its own as I began to add the tracks that people wanted the most and soon it all made sense: this album became a documentation of my recovery- from addiction, self loathing, relationships, the past. And then I realized that people wanted these things because they were recovering (or trying to) as well.

I do not think any project has made me more convinced of my place as an educator and healer than this. As I looked through my old journal entries I realized that this was my mission. I prayed to really embrace my mission, and surely it came.

It is 12:13 am and I am here in the studio...my batcave. My safe haven. The only place that can compete with my alter (not ego...prayer space lol) and nature when it comes to processing my experience. Funny that way it is (Apparently I have also decided to speak like Yoda this evening....wait I mean morning).

But seriously...Something happened here. I think I married pieces of me through this process. This album is really not about anything but healing. About being okay to be where you are. Even the process was about me fighting my perfection. Me resisting the urge to get someone "more experienced" to take on the track I was having trouble mixing (yes I engineered this one too). It was about me not being worried about doing it "right" but taking you on my journey. We'll save all that shit for the next hip hip album ;)

But for now...this is for the soul. Not everyone will get it...or appreciate it. Thats ok. This is for the ones who will- and they will get it hardcore. I invite you into my spirit. My journey. Yeah.....

Completion.

Hope and triumph
5th

Friday, March 25, 2011

They say she rhyme pretty good...FOR A GIRL

It still happens: They leave you off of bills, when they put you on they make you rock first when no one is there, then tell you after that you “rhyme pretty good for a girl.”  They hold shows about injustice and inequality but not ONE WOMAN is on the bill. They forget that we are their mothers, sisters, and daughters. They also forget that we too are FRESH EMCEES.

The struggle for women in hip hop has never been a secret. From its inception till now, women have always had to fight harder,  throw bows stronger, and flow harder to even be looked at or considered. We are put in boxes of conscious, cute, or sexy and forced to play a role: The righteous sister (Lauryn Hill), the scandalous (Lil Kim), the cute and clever (Lady bug mecca) and in the process not only do they take the focus off of our amazing lyricism, they deny all parts of ourselves...and in some cases cause us to do it too.

Sorry but I am SICK of Lauryn Hill as the be all to end all of “good women in hip hop.”  Especially when you have so many amazing women out there such as your Tiye Phoenix, Masia one’s, and Eternias straight KILLIN IT in EVERY AREA. Not only skilled in lyricism but talking to us about the ISSUES THAT AFFECT ALL OF OUR LIVES and the LIVES OF WOMEN.

I have been rockin mics for a little over 12 years. I have had to cuss heads out for leaving me off the bill, fight my way to the stage, and make them remember that it was a WOMAN who gave them birth for them to even be there. Now as women are left out of hip hop and not considered, our communities crumble- how can no one MAKE THAT CONNECTION?

Hip Hop is morphic as I have said in the past. My second passion is that I am a scholar and I studied the connection between hip hop, its message, and the state of the community. Come on yall- It was REAGAN cutting art programs and Robert Moses PLOWING THROUGH THOUSANDS OF HOMES in the GHETTOS OF NEW YORK THAT GAVE BIRTH TO THIS ART FORM. You see people needed to let the system know “Don’t Push Me- I AM CLOSE TO THE EDGE.” Check your history. Hip Hop will always tell the story of what is going on with the country and its people. Just take some time to listen.

And should this be the case- what is hip hop telling us now? As less women’s voices are heard or forced to become Nicki Minaj what are we doing to our women, youth, and how are we affected by these images. As more men degrade who we are, refuse or forget to give us play, and force us into their boxes-what are we doing to our community? We are one, men and women. The Yin and the Yang. There is nothing that you do to me that you do not do to yourself.

But there is light and partnerships forming. People like Chuck D, MC Lyte, Andrew Woods, myself and others are bringing attention to the lack of women in hip hop and doing their thing to get out the following message (as I said in one of my tracks) “Until I’m Healed- no moves can be made.”  Scholars such as Joan Morgan, Gwendolyn Pough, and Tricia Rose are taking this fight to the streets as well as academia with a vengeance. Plus women such as Tiye Phoenix, B-mor 7, Tiger Lily (of Riders Against the storm), Queen yonasda, Da Empress, and Emerald Stone are letting us know that we have many dimensions to us and our voice MUST be heard.

So the next time that you hear or witness that moment- that moment where you or someone you know stops a woman from grabbing that mic or tells her that “she rhymes pretty good for a girl” let them know this: She just a tight emcee and you could probly learn somethin’ from her.

Keepin in mind the she movement,
5th

Friday, March 18, 2011

This is a "Letter to Lil Wayne" Looong needed...Tho I can do without the Steve Harvey reference and Lauryn Hill still being the "go To" for women in hip hop when there are so many such as Tiye Phoenix, Queen Yonasda, and Artists like myself (5th Elmament) out there...THey still killed it!


Wednesday, February 2, 2011

Top 10 Female Rappers NOT NAMED NICKI MINAJ

Check out this article from "The Well Versed" And Click on the link for free downlaods of their music. Some I have covered some are Brand new!


THE TENS: 10 DOPE FEMALE RAPPERS NOT NAMED NICKI MINAJ

Although we enjoy the fact that Nicki Minaj is a female emcee occupying a space in a hip hop culture that is male dominated, we’re quite annoyed that the music industry acts like she’s the only female in hip hop that has skills. Actually, the mere concept is offensive to many of the women who have been rocking mics and haven’t been recognized by the mainstream because they don’t ooze of sexual energy or aren’t affiliated with a top male act. The music industry acts like there isn’t enough room for more than one female emcee, we’d like to argue that point with ten who would shine if given the chance.
1) Jean Grae
Possibly the best female emcee out there today. It’s actually a shame that we have to put her in the female rapper space because she raps circles around a majority of the men out there. After first bursting onto the scene as part of Natural Resource in the mid-1990s, the artist formally known as What? What? changed her name to Jean Grae and began destroying mics as a solo act. She’s mean and vicious, but in a female sort of way. Not to mention that she oozes a different type of sexuality that isn’t as overt as the Lil Kims and Nicki Minajs of the world. Her album with 9th Wonder is the stuff hip hop is all about and we simply cannot wait for Cake or Death to drop.

2) Rah Digga
How could anyone forget about the first lady of the Flipmode Squad? Digga has been shredding mics long before Nicki Minaj considered picking up one. She was a beast as a member of the Outsidaz and stood out alongside Busta Rhymes‘ crew. Her recently released solo album with Nottz Classic is certainly one of the best releases this year. Not to mention that she can rap her ass off.

3) Invincible
Detroit’s best kept secret. Invincible is something serious on the mic. Her lethal rhymes and socially conscious persona make for one helluva emcee. The recently released Shapeshifters is proof positive that Invincible should be getting more attention than she currently is. She’s just that damn good.
4) Eternia
The Canadian has been shredding microphones for some time now. Her debut album It’s Called Life was critically acclaimed and her follow up with Moss titled At Last is expected to be yet another dope released from Eternia. Let’s not forget that Eternia challenges gender-based stereotypes in the industry each and every time she touches a microphone or utters a word in public. She’s the role model women need to be like.

5) Tiye Phoenix
Most first heard Tiye Phoenix when she stood out with her spectacular rhymes as a part of the Polyrhythm Addictsalongside DJ Spinna and Mr. Complex. But she’s been wrecking mics for some time now while being signed to Rawkus records in the late 90′s and working with Mos DefTalib Kweli and The Last Emperor. Her solo debut Half Woman Half Amazin’ should have gotten more shine than it did.

6) Amanda Diva
Ms. Diva is a jack of all trades. Although initially known as an MTV personality, Amanda Diva has always been involved in hip hop culture and released several projects over the course of the past few years. She’s also published a book of poetry, been known to hold a note and appeared as a guest commentator on many of VH1′s shows. Her progressive feminist views are some that should be lauded in an industry that is male dominated. She takes no shorts from anybody.

7) Nikki Lynnette
One of the new kids on the block. The other Nikki is just as talented (if not more) than the Nicki getting all of the spotlight right now. The multitalented Chicago emcee has received praise from Lupe Fiasco and has had her voice featured in McDonalds, Secret Deodorant and Nationwide Insurance commercials. But don’t confuse her for a softy on the mic, Nikki is quite the mic menace and proved it with her latest mixtape Roses N’ Guns.

8 ) RAtheMC
You may have heard a similar story somewhere before: a car crash survivor kicks rhymes with her mouth wired shut and perseveres to become one of the rising stars in Hip Hop. No, it’s not Kanye West. This is RAtheMC‘s tale. The DC rhyme slinger spits with the venom of a seasoned veteran from the golden era of hip hop. The proof is in her recently released Heart of a Champion mixtape. Don’t sleep.

9) Mae Day
It’s not a distress signal, unless you are standing in her way. Another one of Detroit’s shining artists, the former ballplayer turned emcee is another artist that has been busy in the underground over the past few years. Her experimental Cherish the Day: The Mae/Sade Experience fused her lyrics with beats all crafted from Sade’s work. We look forward to more from Mae Day in the near future.

10) Rapsody
As the lone female in the Kooley High collective, Rapsody has demonstrated a vicious delivery and slick wordplay that has many clamoring to hear more from the North Carolina. As part of 9th Wonder‘s It’s A Wonderful World music group, Rapsody is one of the names most have recognized as a potential star. Her show stealing performances on Kooley High’s Eastern Standard Time project and her initial foray as a solo artist on Rapsody Relay proves that she’s definitely one to watch in 2011.

Thursday, October 21, 2010

What is 5th Elament radio??

Hey Peoples!
In the 2006 I had the privalege of meeting Chuck D. I asked him "What advice would you give me as a women entering hip hop?" he told me to know that it is only the women who can CHANGE HIP HOP at this point so do your thing. WE are out of balance. Men have created that but women can restore it. he then Digned my copy of "A People's History" with "To Kaly-Keep in Mind the She-movement." I am proud to say I have done so. In my own art and by getting my women heard.

They keep asking "Where are the women of hip hop?" My answer: EVERYWHERE! And This is just one of the many places that you can find them! I rock with them daily. I record them in the booth (I engineer as well). I come across them all the time and bump them all day long in my itunes. Ask me who are the male emcees out right now- I couldn't tell you much. Ask me about the femcees and I got you covered.

In this blog I will share with you the women I have rocked with and the women I have come across. As Well as be a connect for those who want to get their music on college radio (fifthelament@gmail.com).


Yes I am a (f)Emcee as well (www.5thelament.com)- so my love for lyricism shines through in the tracks and artsists I choose. Excited to get it poppin. Glad to be a part of the She-movement. Leeees go!

Hope and Triumph-
5th

Saturday, September 18, 2010

I know its been a minute!

But I'm back and have beeen actively doing the show so now to play catch up ;) I will be posting up podcasts from recent shows and also giving you some of my playlists so that you can check out some of the amazing women and local artists that I have been playing! Its been a good time and I cant wait to get it moving. In the meantime please go to my facebook page for great links and commentary on the new documentary "My Mic Sounds Nice."
Facebook: 5th Elament radio
Click Here

5th

Saturday, February 27, 2010

News and Links!

RAH DIGGA COMING BACK ON THE SCENE YALL!!!

http://www.honeymag.com/2010/uncategorized/rah-digga-to-relase-sophomore-album-in-june-2010/

Away from the flip mode squad, Rah digga comes back with her sophmore album.

MC Lyte- Heavier than ever!
What happens when one of the original queens of hip hop feels we need more estrogen in the game? She provides it!
www.hiphopsisters.com

FEMCESS YOU MUST CHECK OUT!
Tell em 5th Elament sent you ;)

http://www.myspace.com/angeleyecali
http://www.myspace.com/koriblake1
http://www.myspace.com/queenyonasda
www.b-mor7.com
www.hiphopsisters.com

NO FOR REAL- GET ALBUMS- GIVE SUPPORT. PLEASE Show the industry the type of women that YOU support! Spread the word and send more heads to My page and please become a follower today! I need the numbers to show we care about the ladies!

Play List 2/25/10

Queen Latifah: Ladies First
Lady of Rage: Afro Puffs
Mc Lyte: Poor Georgie
I Can't Make a Mistake
Lil Kim: Lighters up
Jean Grae: Whatyagonnado?
Queen Yonasda: Pow Wow
B-Mor7 We here now
Masia One: Return of the -Girl
Touch it Remix with ladies of hip hop
B-mor7: Pneumenoltra
Ayana Soyini: I'll be free
Nikki D: Daddy's little girl
Bahamadia: Global
Au Natural
Jesaka Saylove: All Alone
Masia One: New Love
Lady Bug Mecca: If I need to Move on
Eternia: No Where No more
Purple Haze: Mother, sister, sister, girl
Queen Yonasda: Struggle In Progress
Kori Blake: Still WE Rise
Masia One: Nighttime Summertime
Angel Eye: Little black girl
Apani B Fly: Right the Wrongs
Eve: As I grow
Queen Latifah: Latifah's Had It up to here
Lady bug mecca: Doggstar
Sexual alchemy
Roxanne Shante: Independent woman
Blondie: Rapture
Queen Latifah: UNITY
Lauryn Hill: Lost ones
Eve: Who's That girl?
Siren's Echo:Perfect Peace
Eve: Love is Blind
Macromantics: who is your god (Off of the Queendom mixtape available on Itunes)

Saturday, January 9, 2010

Where My Ladies AT?!?!? RIGHT HERE

THIS THE PLACE WHERE WOMEN IN HIP HOP ALWAYS GET THE MIC!

Yoooo! What can I say! For all of all for those that think there are no Women in Hip Hop...THINK AGAIN. Every other Thursday from 3-6pm on 90.3 (wriu.org for live stream) 5thElament radio gives you some of the illest (f)Emcees of our time! From the unknown that should be known to the well known that you need to be reminded of- 5th Elament is there! Check back frequently for playlists and updates in women in hip hop. In the meantime get with this site for some of the latest, started by Mc Lyte:

www.hiphopsisters.com

Tell em Kaly Kal aka 5th Elament sent you.

Also stay tuned here for info on The upcoming auditions for 3rd Eye Unlimited's Annual open as they share the theme "2010: Year of the Woman." They will be looking for A LOT of estrogen this year. So Pop into 3rd Eye Unlimited at

www.3rdeyeunlimited.com

Or stay posted right here for when it is all goin down!

In the meantime look for my playlists here and occasional articles to stay fresh on the women of hip hop!

And remember that I am a fan of ALL music-so peep the genre bending and defying DJ Reza Wreckage at

www.venussings.com

What can I say except: MAKE ROOM FOR THE BOSS LADIES IN 2010!

For all your other local RI needs regarding women in the arts go to

www.isisstorm.com

"Because the thunder can't help but be heard!"

Hope and Triumph

5th

Friday, January 8, 2010

Playlist 1/7

Artist Track
Lady of Rage: Afro Puffs
Lady Sovereign: love me or hate me (Misssy Elliot)
MC Lyte: Can't make a mistake
Kaly Champlain aka 5th Elament: She
Bmor 7: Pneumenoltra
Missy Elliot: We Run This
Lil Kim: Put your ligheters up
Charli Baltimore: Everybody wanna know
Rah Digga: I got what you want
Queen Yonasda: Pow wow
Queen Latifah: Black Hand Side
Rah Digga : Touch it Remix
Tight
Nikki D: Daddy's little girl
Bahamadia : Global
Eternia: Ft. Ms.Davis (9thwonder) Nowhere No more
Queen Yonasda: Struggle In progress
Kori Blake: Still We Rise
Bahamadia: Au Natural
Rah Digga,RZA, Stone mecca: Girl Samurai Lullaby
Lady Bug Mecca: Sweet and Polite
Apani B Fly: Right the wrongs
Lady Bug Mecca: If I need to move on
Eve: As I grow
Remy Ma: What's Goin on
Lady Bug Mecca: Dogg Starr
Masia One: New Love
Remy Ma: Thug Love
Lady Bug Mecca: Sexual Alchemy
Roxanne Shante: Independent woman
Blondie: Rapture
Queen Latifah: UNITY
Lauryn Hill: Lost Ones
Eve: Who's that Girl
Masia One: Return of the B-girl
Siren's Echo: Perfect Peace
Eve: Love is Blind
Macromatics: Who is your God
Queen Latifah and Monie Love: Ladies First

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From Hip hop sisters.com Give shout out
Purple Haze Mother Sister
Eternia Foul Child
Jesaka SayLove All Alone

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